sergebroom: (dingbot)
[personal profile] sergebroom
If I wanted to build a theatrical prop out of plywood, what painting steps would you recommend so that the final infernal device would look like it's made of gold or copper - or a reasonable approximation of either?

Date: Aug. 19th, 2010 05:49 pm (UTC)
From: [identity profile] mkhobson.livejournal.com
I've used metallic gold (or copper) spray paint and gotten good results. Getting it nice and smooth with primer (or filler, depending on how rough the wood is) is the key to making it look like real metal.

Whatcha making?

Date: Aug. 19th, 2010 05:50 pm (UTC)
From: [identity profile] mkhobson.livejournal.com
That last comment was rather unclear. I meant to say "Getting [the piece] nice and smooth with primer [before using the metallic spray paint] is they key to ... etc etc.

Date: Aug. 19th, 2010 06:09 pm (UTC)
From: [identity profile] serge-lj.livejournal.com
Thanks! Would you recommend spray-on primer, or the kind applied with a brush?
Edited Date: Aug. 19th, 2010 07:34 pm (UTC)

Date: Aug. 19th, 2010 07:36 pm (UTC)
From: [identity profile] mkhobson.livejournal.com
Well, it depends on how grainy the plywood is. If it's nice smooth "finish grade" plywood, I'd use a glossy spray primer just to give the gold paint something to stick to (otherwise the gold paint will sink into the wood and not be as lustrous.) But if the wood has a lot of grain to it, I'd use a bondo (or something similar) to smooth out the grain, THEN a gloss primer, then the gold paint.

Gee. I can't believe I actually have thoughts on this subject. I surprise myself every day. ;-P

Date: Aug. 19th, 2010 07:50 pm (UTC)
From: [identity profile] serge-lj.livejournal.com
I surprise myself every day

:-)
Thanks again!

Date: Aug. 19th, 2010 06:26 pm (UTC)
From: [identity profile] xeger.livejournal.com
Be sure to use good primer -- usually a chinese red for gold, at least -- and do several coats of the gold. Smoothness isn't necessary, but an appropriate texture is.

Date: Aug. 19th, 2010 06:49 pm (UTC)
From: [identity profile] serge-lj.livejournal.com
Thanks! Since it'd be seen from a distance, perfect smoothness up close isn't a concern. I hope I pull this off.

Date: Aug. 19th, 2010 07:51 pm (UTC)
From: [identity profile] thedragonweaver.livejournal.com
Everybody's made good comments so far— let me know if you need painting tips for other textures, such as wood or stone.

Date: Aug. 19th, 2010 08:05 pm (UTC)
From: [identity profile] serge-lj.livejournal.com
Thanks! I will.

Date: Aug. 19th, 2010 08:25 pm (UTC)
From: (Anonymous)
One thing that's being missed: you need to use dark pigmented primer in red, ocher, or umber (for bronze only) or grey, or the metallic finish will look wrong under stage lighting.

And sand, sand, sand before/between the metal coats or every brushstroke will declare itself.

Julia, the technical theatre person is out right now, but I've gone through this in-house

Date: Aug. 19th, 2010 08:27 pm (UTC)
From: [identity profile] julia-here.livejournal.com
Oh, goody: randomly signed out again.

Julia, head. desk.

Date: Aug. 19th, 2010 09:15 pm (UTC)
From: [identity profile] serge-lj.livejournal.com
Thanks, Julia!